Week 12: Thousand-and-One Nights

Assignments - Reading - Resources - Images

The Story of the First Old Man and of the Hind

Reading time: 3 minutes. Word count: 600 words.

In order to persuade the genius to lessen the sentence imposed on the merchant, the man who is leading a deer (hind) with him tells a story, which he promises will be a marvelous adventure. Notice that this is essentially what Scheherazade is doing as well: they are both using the entertainment value of their stories to avert a possible disaster. We are now well into the story-within-a-story structure now: Scheherazade is telling a story to the sultan about the genius and the merchant, and inside that story, the man is telling a story to the genius about how his wife was turned into a deer.

I am now going to begin my story (said the old man), so please attend.

This hind that you see with me is my wife. We have no children of our own, therefore I adopted the son of a favorite slave, and determined to make him my heir.

My wife, however, took a great dislike to both mother and child, which she concealed from me till too late. When my adopted son was about ten years old I was obliged to go on a journey. Before I went I entrusted to my wife's keeping both the mother and child, and begged her to take care of them during my absence, which lasted a whole year. During this time she studied magic in order to carry out her wicked scheme. When she had learnt enough she took my son into a distant place and changed him into a calf. Then she gave him to my steward, and told him to look after a calf she had bought. She also changed the slave into a cow, which she sent to my steward.

When I returned I inquired after my slave and the child. "Your slave is dead," she said, "and as for your son, I have not seen him for two months, and I do not know where he is."

I was grieved to hear of my slave's death, but as my son had only disappeared, I thought I should soon find him. Eight months, however, passed, and still no tidings of him; then the feast of Bairam came.

To celebrate it I ordered my steward to bring me a very fat cow to sacrifice. He did so. The cow that he brought was my unfortunate slave. I bound her, but just as I was about to kill her she began to low most piteously, and I saw that her eyes were streaming with tears. It seemed to me most extraordinary, and, feeling a movement of pity, I ordered the steward to lead her away and bring another. My wife, who was present, scoffed at my compassion, which made her malice of no avail. "What are you doing?" she cried. "Kill this cow. It is the best we have to sacrifice."

To please her, I tried again, but again the animal's lows and tears disarmed me.

"Take her away," I said to the steward, "and kill her; I cannot."

The steward killed her, but on skinning her found that she was nothing but bones, although she appeared so fat. I was vexed.

"Keep her for yourself," I said to the steward, "and if you have a fat calf, bring that in her stead."

In a short time he brought a very fat calf, which, although I did not know it, was my son. It tried hard to break its cord and come to me. It threw itself at my feet, with its head on the ground, as if it wished to excite my pity, and to beg me not to take away its life.

I was even more surprised and touched at this action than I had been at the tears of the cow.

"Go," I said to the steward, "take back this calf, take great care of it, and bring me another in its place instantly."

Questions. Make sure you can answer these questions about what you just read:

  • what did the wife do to the female slave and to her child?
  • what happened whent he man sacrificed the cow for a feast?
  • what about when he went to sacrficie the calf?

Source: The Arabian Nights Entertainments, Selected and Edited by Andrew Lang, after the edition of Longmans, Green and Co, (1898). Website: Project Gutenberg.

Modern Languages MLLL-2003. World Literature: Frametales. Laura Gibbs, Ph.D. This work is licensed under a Creative Commons License. You must give the original author credit. You may not use this work for commercial purposes. If you alter, transform, or build upon this work, you may distribute the resulting work only under a license identical to this one.
Page last updated: October 9, 2004 12:48 PM